The Man’s ‘authentic’ life lessons at college occur when he is commissioned to
chauffeur a white founding father, Mr. Norton, on a revisitation tour of the
campus. They visit the cabin of Jim Trueblood. Trueblood gives a disturbing,
detailed confession of how he, as if in some inescapably predetermined trance,
came to accidentally rape his own daughter in his sleep whilst his wife, Kate,
slept in the bed right next to them. 38 He relates to Norton how his wife then
attempted to murder him with an axe, grossly disfiguring his face when it is
discovered that he has impregnated his own daughter. This grotesque account of
events unsettles Mr Norton, offending his “sensibilities”.
Invisible
Man drives a visibly shaken Norton to a tavern to settle his nerves with
whisky, where a second chaotic event ensues. They arrive at the Golden Day (a
brothel) at the same time that a throng of African American army veterans
arrive. They are patients at a nearby asylum, and are still ‘a little shell
shocked’ from their exploits in the First World War. 46 The narration shifts
again, this time overwhelmed by polyphonic fragments — a cacophony, even — of
demented wartime conversations, the voices of ex-soldiers who permanently
relive the battlefield. The men are confused by Norton’s presence, and, in a
state of inebriation, descend into a chaotic brawl. Norton faints, and is
carried upstairs by Invisible Man and an ex-physician to be out of harm’s way.
The ex-physician, a former student of the college, tends to Norton whilst Invisible
Man oversees, warning the founding father not to go back downstairs:
“The clocks
are all set back and the forces of destruction are rampant down below. They
might suddenly realize that you are what you are, and then your life wouldn’t
be worth a piece of bankrupt stock. You would be canceled, perforated, voided,
become the recognized magnet attracting loose screws. Then what would you do?
Such men are beyond money, and with Supercargo [the patients’ overseer] down,
out like a felled ox, they know nothing of value. To some, you are the great
white father, to others the lyncher of souls, but for all, you are confusion
come even into the Golden Day.”
The effects
of war have created a hive of chaos within this tavern, as an intensified
microcosm of the post-trauma of violent conflict: where race, class,
profession, and age no longer follow the invisible binds of social order they
do in the outside world beyond the Golden Day. Language and identity are broken
down, and this is represented in the confusion that the patients have,
mistaking Norton for decorated wartime General John J. Pershing, and at another
point, for former president, Thomas Jefferson. In theme and the unapologetic
characterization, the Golden Day episode is an homage to the writing of one of
Ellison’s lifelong literary idols, Ernest Hemingway.
When the
narrator returns with the founding father to the college, the African American
principal, Dr. Bledsoe, reprimands him, impressing upon the young man the need
to avoid the ‘white man’ as he has done, and to practise self-reliance. He is
expelled shortly thereafter.
Read more about the novel:
Plot Outline/ Summary
Major Characters
Brother Jack
Themes
The Battle Royal Scene
The Liberty Paints Episode
As a Bildungsroman
Existential Vision
The Prologue and the Epilogue
Narrative Technique
Parody
Symbolism
Metaphor
Satire
Irony
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